Tereza Kerndlová

Music/Lyrics: Örlygur Smári/Paul Oscar, Peter Fenner

Possibly the most perfect harmonising ever heard on the Eurovision stage! Euroband seemed a certainty to climb out of their semi-final with such a strong pop/disco track, although voters have turned against this type of song in recent years. It was an up-to-date taste of contests past, and the taste was sweet.  

Music/Lyrics: Fredrik Kempe, Bobby Ljunggren/ Fredrik Kempe, Bobby Ljunggren

Charlotte was expected to qualify for the final and she did…just! It is the kind of Swedish schlager that the fans love, but can be a bit hit or miss with the public at large. 

Music/Lyrics: Kerem Kabadayi, Burak Guven, Kerem, Özyegen, Harun Tekin/Kerem Kabadayi, Burak Guven, Kerem, Özyegen, Harun Tekin

Deli is a solid rock song with a spark of individualism about it. Their performance got the audience to their feet as they continued the lively start to the show.

Music/Lyrics: Philip Kirkorov/Karen Kavaleryan

Ani gave a supremely confident performance of this near perfect pop song. It was always going to be a contender and so it proved, winning the second semi-final and finishing second in the main event.

Music/Lyrics: Vytautas Diskevicius/Jeronimas Milius

The fortnight of rehearsals had clearly taken their toll on Jeronimas’ voice. He was one of the best singers of all those competing but didn’t have the opportunity to show it due to the strain his vocal chords were under. This was a real pity as his ballad is superb, but needed the big notes to be hit.   

Music/Lyrics: Adrian Hila/Pandi Laço

Albania’s first five entries had established it as a country to watch for songs of quality, even if they weren’t potential winners. Zemrën E Lamë Peng is a western style ballad sung in Albanian to give it a local flavour. 

Music/Lyrics: Vincenzo Incenzo, Paolo Meneguzzi/Vincenzo Incenzo, Paolo Meneguzzi

Paolo was already an established singer, having been in Italy’s Sanremo festival five times (including in 2008) prior to singing for his native country in Eurovision. Many expected his Italian style ballad to do well, but it couldn’t escape the semi-final.   

Music/Lyrics: Stano Simor/Gordon Pogoda

Finishing last on its debut the year before with a rock song sung by a bunch of hairy, growling rockers, the Czech Republic went the other way and entered a pop song sung by a pretty girl. The tactic might have worked had the song not been lightweight and Tereza’s performance not been like a bad karaoke singer.  

Music/Lyrics: Taras Demchuk/Eleonora Melnik

After it had won the Belarusian final, Hasta la Vista was given something of a makeover and was transformed from a pop to a soft rock song. It’s a strong effort and was highly thought of prior to rehearsals starting.

Music/Lyrics: Jonas Liberg, Johan Sahlen, Claes Andreasson, Torbjorn Wassenius/Jonas Liberg, Johan Sahlen, Claes Andreasson, Torbjorn Wassenius

It was time for the children’s party when the Latvians bounded on to the stage. It was highly entertaining, but a daft way of trying to win the votes of adults.

Music/Lyrics: Niran Hadzi Veljkovic Niran/Hadzi Veljkovic

Many feared that septuagenarian 75 Cents might not live to see the night of the contest. All fears were unfounded, and he lasted long enough to stroll around the stage like a grumpy grandparent, occasionally speaking during intervals in this Croatian café style song.

Music/Lyrics: Dian Savov/Dian Savov

Take Me Away starts in hip-hop mode but moves into reggae territory when the vocal starts. The lyrics are repeated several times and wouldn’t have taken very long to learn. All in all, it’s messy and a waste of time. 

Music/Lyrics: Jacob Launbjerg, Svend Gudiksen, Nis Ogvad/Jacob Launbjerg, Svend Gudiksen, Nis Ogvad

While the melody and the arrangement aren’t obviously in that direction, Simon’s voice lends All Night Long a jazz feel. Looking a bit like a reject from a Hovis advert, his performance was strong and very confident.

Music/Lyrics: Kim Breitburg, Karen Kavaleryan/Kim Breitburg, Karen Kavaleryan

It seems Political Correctness has reached Eastern Europe. Georgia selected a blind singer with a song about desiring world peace. If this was a tactic, it failed, although it finished higher than it should in both the semi-final and the final.

Music/Lyrics: Viktor Rakonczai/Imre Mozsik

For the fourth year running, one of the best songs overall finished last in the semi-final. Csézy’s piano based ballad is abundant with class and sophistication. 

Music/Lyrics: Philip Vella, Gerard James Borg/Philip Vella, Gerard James Borg

The fast, impactful pace at the start drops slightly for the vocal, but picks up again for the chorus. It’s slightly untidy, but quite enjoyable.

Music/Lyrics: Nikos Evaggelou/Nikos Evaggelou

Imagine what you might hear at a Greek wedding, or a restaurant high in the hills of rural Cyprus, and you can imagine Femme Fatale. If it is memorable in any way, it’s for the wrong reasons. 

Music/Lyrics: Rade Vrčakovski/Rade Vrčakovski

The presentation was mercifully less flamboyant than it could have been. A mixture of hip-hop, pop and R ‘n’ B, it is maybe trying too hard to sound modern. The result is unimpressive, but it wasn’t too far from qualifying. 

Music/Lyrics: Andrej Babic/Carlos Coelho

When the Portuguese do a good ballad, they do it very well. It’s not quite Fado, more’s the pity, but it is a welcome return to the Portuguese sound after a few attempts at trying to sound less traditional.